Marie Hines Bio

Supporting HeartCrash

By Emily J Ramey

Written for Marie Hines

Marie Hines

Marie Hines is a creator. She cooks dinner, she bakes cupcakes, she’s an avid DIY-er, and true to her Southern charm, she’s not afraid to get down in the dirt if it means cultivating something colorful and fragrant. Drawing inspiration from nature, HeartCrash boasts music that mimics the fine lightness of a summer breeze and the rolling current of a cool autumn stream. By broadening her scope and expanding her thematic obsessions, Marie has fallen right into place between Ingrid Michaelson and Sara Bareilles, an artist as spirited and smart as she is talented.

Those familiar with Marie’s debut, Worth the Fight, or her live follow-up EP, The Living Room Sessions, will recognize her characteristic feminine grace, billowing piano melodies, and incandescent strings, but there’s something new and exciting in this collection of songs. On HeartCrash, Marie’s brush strokes are broader, more confident. Like a bright-eyed bride lifting her gauzy veil for the first time, letting the sun dazzle her and the wind brush her skin, the young Nashville singer/songwriter is stepping out and making strides. “With HeartCrash, I wanted to do something that wasn’t safe. I wanted genuine and natural and raw. These songs embody where I am now, I think.”

“Hammer,” written from the perspective of a character in a book, opens the album with the leaden lines, “You never think your lover’s words could kill you, and you can’t foresee the blow that is your last,” and continues to unfold into an rolling instrumental landscape that explores the windswept valleys of slighted love. The unshakable title track was a new experience for Marie; “it didn’t come out of love or lack of love; it came out of anger,” she claims. A song about “a collision of two souls, the realization of clashing opinions and irreconcilable differences,” “HeartCrash” stomps out a driving beat, sullying forth with words like “I won’t stay, stay around for you to take, take me down, down, down.”

“Mending” is far and away the most complex song on HeartCrash, piano rivulets spilling into swirling ocean depths, dissonant strings surging and eddying into a roaring cascade. “The song has a steady 4/4 rhythm, then a 3/4 rhythm enters in the bridge. The different rhythms layer together perfectly,” Marie reveals, “and to me, it feels like two people falling in love.” The single “Perfect Kiss” is a playful acoustic refrain, silvery and gleaming in its idyllic innocence. “It’s a very personal song,” she says. “It’s a snapshot of the moment I realized I was blissfully happy in my relationship, and that I had found the person I want to be with for the rest of my life.” And “Poison in the Well” is a potent, pleading struggle to let go of the past, an emotion that elicits the strongest vocals on the record.

Marie’s debut album saw critical success with a feature in WalMart’s Valentine’s Day in-store promotional campaign in 2010 and 2011 and the top prize in both the Intel Superstars Competition and the Avon Songwriting Competition. Following the release of Worth the Fight, Marie embarked on a national tour, playing venues like LA’s famous Hotel Café on the West Coast, Nashville’s Bluebird Café, New York’s The Living Room on the East Coast, and cafés, house concerts, and coffeeshops all along the way.

More recently, Marie’s songs have provided background music for dozens of wedding videos, iTunes, Hallmark, Delta Airlines, Spotify, and Forever 21 have showcased tracks in various capacities, and the “Perfect Kiss” music video is in regular rotation on CMT Pure.

Marie Hines’ new release is available on February 28, 2012. For more information about Marie and HeartCrash, go to

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Marie Hines’ “Worth the Fight” Review

Album Cover

Marie Hines

“Worth the Fight”

December 2010; Independent

By Emily J Ramey

Click Here to See the Published Version on American Music Channel

It’s an extraordinary occurrence when you think about it – finding words that say what you truly feel, melodies that express the very ebb of your thoughts. These sorts of discoveries are more than important in the world of music; they are vital, dynamic.

As a woman myself, I’m a huge advocate for the female singer/songwriter. Show me the folk rock poignancy of Ingrid Michaelson or Lisa Hannigan or eloquent piano pop perfected by Regina Spektor or Sara Bareilles, and I will show you my own heart spilled over into the words of a song. I love realizing girl talent, finding a new voice. There’s something about delving into their lyrics and figuring out their notes that is empowering, delicately victorious, and rare, which is why Nashville’s newest songwriter Marie Hines is such a remarkable discovery: she is a charming combination of all of the above.

Marie Hines is breezy and bright, but with something of an old soul. Her fondness for strings and silky piano keys is enough to grab my attention, and her gentle vocals and silver-tongued lyrics make her my new favorite. Marie’s debut album, Worth the Fight, is a passionate and shimmering collection of melodies that span a poetic horizon, exploring the rosy depths of a young girl’s heart with the expressiveness of a worldly, elegant hand.

The album begins with the title track, cool and energizing – with lines like, “There’s bigger pictures to paint/More horizons to chase/Something better in searching, reaching/Burning, bleeding black and white” – and warms up quickly with the sugary single “Wrapped Up in Love,” a buoyant tune of idyllic, lighthearted affection: “Slurring sonnets like love drunk poets/Take a sip, pass the glass around/Til we fall out of time, lost in a rhyme/It’s so easy being me when I’m with you.”

Other highlights of Worth the Fight include the magnetic, brisk-tempoed “Better” and the lithe “LoveStung,” with its melancholy strings and honest lyrics: “We’re lovestung, so lovestung/We’re scared to death but we’re learning the thrill of the fall.” The refreshing bleakness of “Long Way to Letting Go” is both moving and memorable, and ardent, lustrous “Over You” stands out as both haunting and beautiful, closing the album with tender lines and striking emotion, the music swelling richly, resonantly before fading out with the quiet undulations of a cleansing rain.

Marie Hines is going to be an exciting artist to watch in 2011. Worth the Fight is brimming with potential and promises to be merely a springboard into bigger and better things. I can’t wait to see and hear more, but for now, I’m going to cozy up and just listen.

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